Get Full Essay Get access to this section to get all help you need with your essay and educational issues. Basically it uses the blue notes and patterns that portray African influence. It has revolutionized both Western and American popular music like blue glass, jazz and rhythm and blues.
Folktales from Louisiana Introduction A basic principle in the study of folklore and anthropology is that in order to understand a cultural feature, one must understand the context in which it exists.
Therefore, to understand a basket, dance, song, ritual, or story, one must know about the maker, dancer, singer, practitioner, or teller. One must understand the culture or setting in which it is made or performed. Only then can one know its significance and function within the cultural region for the people.
One must take a holistic look at the integrated system to understand each part. Louisiana's diverse cultural landscapes include small towns, urban areas, bayou communities, and rural areas.
Therefore, when one examines the traditions of an entire state, it is important to understand the cultures within the state and how they relate to each other. This is particularly true of Louisiana, because of the state's complex cultural milieu.
Hence, here follows a brief overview of Louisiana's traditional cultures. Although no article can do justice to the folk cultures of the state, it is important to provide a sketch of the peoples and their regions as a background for the stories that follow.
It is trite to say that Louisiana is culturally diverse. The truth is that few people realize the degree of complexity and variation in the cultures of the state.
Each group has added to the cultural environment of Louisiana and in varying ways influenced the traditions found here. Geographers and historians have documented many of the settlement patterns and the waves of immigration into most parts of Louisiana.
Louisiana State University geographer Fred Kniffen laid the foundation for understanding Louisiana's settlement patterns during the s Kniffen More recently, Malcolm Comeaux investigated the Atchafalaya Basin settlement patterns and folk occupations, University of Southwestern Louisiana historian Carl Brasseaux focused on French Louisiana settlement patterns Brasseaux andand historian Gwendolyn Midlo Hall documented the earliest influx of Africans into Louisiana via slavery from the Senegambian region of West Africa Hall Building on this base of cultural geography and history, Louisiana folklore research has led to several publications that provide a foundation, stimulating further study.
A Guide to the Stateedited by the program's first director, Nicholas R. Spitzer, is the most comprehensive state publication of its type. Frank de Caro's Folklife in Louisiana Photography provides a comprehensive overview of the photographic record.
Other publications have focused tightly on a specific group, region, or genre: Since the advent of the Louisiana Folklife Program inmany researchers have worked with the program to present their research in various formats to the general public.
Duke Ellington was one of the most significant American musicians of the 20th century, his big band (first organized under his leadership in about the mid's) performing at venues ranging from The Cotton Club in Harlem, to concert halls and jazz festivals around the world. Peggy Lee plays with the puppets from the first edition of the George Pal movie tom thumb, for which she composed various rutadeltambor.comr children's film for which she famously wrote lyrics (and did the voices of 4 characters) was Walt Disney's classic Lady And The rutadeltambor.com also received an Oscar nomination, as well as awards from critics and movie audiences, for her dramatic role in Jack. The development of Jazz and Blues In a well-written essay, discuss the development of Jazz and Blues. Who were its primary contributors and advocates. As a genre, what was its function in society in the early part of the twentieth century? As an expert in current musical trends, what role does Jazz/Blues play in late Continue reading "The development of Jazz and Blues".
These researchers have explored numerous topics, but most generally focus on certain aspects of particular ethnic communities or folklore genres, including North Louisiana quilters Roachnorth-central Louisiana British- and African-American folk cultures Roach-LankfordCajun musicians and culture Ancelet and a; Ancelet et al.
The Louisiana Crafts Program and Folklife Program also produced publications featuring individuals involved with specific programs: This essay draws on these publications and the research conducted by cultural specialists folklorists, cultural anthropologists, cultural geographers, ethnomusicologists and the non-academically-trained community scholars.
Readers seeking more detailed information should refer to these publications and for a historical overview of folklife research to de Caro's article in Louisiana Folklife: A Guide to the State Many of the folk crafts mentioned in this article are displayed in The Creole State: An Exhibition of Louisiana Folklife that was located in the Louisiana State Capitol until and is now a virtual exhibit.
First curated by Nicholas R. Spitzer in and renovated by myself inthis exhibit by the Louisiana Folklife Program presents folk crafts from Louisiana's traditional cultures in seven sections: Scholars divide the state into three major cultural regions, New Orleans, South Louisiana, and North Louisiana, each of which contains pockets of cultural groups.
New Orleans When Louisiana is mentioned, many people think only of New Orleans and neglect other regions of the state. Many misunderstandings exist about the distinct and complex culture that evolved in this metropolitan center.
New Orleans, like Louisiana as a whole, has been governed by the French, Spanish, and Americans, with each making distinctive contributions. In addition, other ethnic groups, in particular Native Americans especially ChoctawAfricans both French-speaking African Creoles and English-speaking African AmericansItalians primarily SicilianGermans, and Irish, have also made significant contributions to the cultural landscape of the city.
Shotgun houses in the Garden District of New Orleans. Courtesy of Louisiana Office of Tourism. The first and largest migrations of the French to New Orleans were not Acadian. French nobles and army officers blended with the Spanish to create a Creole community. These two groups were culturally intertwined, yet maintained separate identities.
New Orleans music traditions Most Africans in Louisiana arrived as slaves from Francophone West Africa, but later some arrived as free-people-of-color from the Caribbean.
Two-thirds of the Africans arriving before were from the Senegambia region of West Africa. Senegambia was home to many culturally related groups with similar languages, but most Africans brought to Louisiana during this time were either Wolof or Bambara Hall From the s and the early s, there was a development of Latin and Afro-Cuban jazz.
These forms of music engender an amalgamation of.
Woody Herman's contributions to jazz are more difficult to quantify than many other musicians because of the breadth and scope of his long career.
Compelling stories, cutting-edge classical music, National Theater, literary events, comedy shows, film screenings and much more all at Symphony Space.
See what's on, and pick up a ticket. Electric Blues started in the s; in Chicago, in the s, musicians used amplification of guitar, bass guitar plus drum kit and harmonica. Electric blues includes the Memphis blues and Texas blues scene which lead to the development of blues-rock.
It also led to rock-music. The harmonica is also known as blues harp. Music Essays - History of Rhythm and Blues - Although rhythm and blues is not a favorite listen to music by many, we can all agree that its style is the most powerful on earth depending on your age.
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